• ARTREVIEW (2026), Nilbar Güreş on Representing Turkey at the 61st Venice Biennale

 

• LORA SARIASLAN (2024), Familiarly Strange/Strangely Familiar: Humor and Contemporary Artists from Turkey

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• GUSTAVO EGUSQUIZA (2023), A Sea Full of Hope

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• DUYGU ULA (2021), Interview

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• KİTAPTAN SANATTAN (2021), Nilbar Güreş'e İsviçre'den Ödül: 'Prix Maud Mottier'

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• KUNSTHAUS PASQUART (2021), Nilbar Güreş received the Prix Maud Mottier award.

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• LORA SARIASLAN (2021), What moves artists? Mapping Vienna through the moving images of Nilbar Güreş

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• SIRMA ZAIMOGLU (2021), Nilbar Güreş - The Semantic Diversity of Material

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• NILBAR GURES (2020), Behind the Art: “Rose of Sapatão”

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• MİNE KAPLANGİ & KEVSER GÜLER (2019), Interview: Nilbar Güreş and Kevser Güler

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• OĞUZ KEMAL ÖZKAN (2019), 'Nilbar Güreş'in sanatından 'Zamanın Ruhu'na eleştirel bir yolculuk

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• SILVIA EIBLMAYR (2019), Blank Space

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• INGO AREND (2018), Little Mother is Watching You

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• İSTANBUL ART NEWS (2017), Nilbar Güreş'in 'Kimlik' Çatışmaları

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• LIVIA PERRIER (2018), Nilbar Güreş, Interview

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• NERGIS ABIYEVA (2017), Kendi Mitolojisini Yaratmak

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• LORA SARIASLAN (2016), “They are all Turks, but very very nice”: Re-placing contemporary artists of Turkish origin

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• Владия Михайлова (2015), Нилбар Гюреш: В едно тяло има безкрайни роли​​​

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• DOMINIK MATUSCHEK SJ (2015), Zurück in die Zukunft​​​

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• ANNE KATRIN FESSLER (2014),  Eine Kaktee emanzipiert sich 

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• BERIN GOLONU (2014), Art in America

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• IVONA JELCİC (2014), Die Bienenzüchterin ist ausgeflogen

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• JOHANNA HOFLETNER (2014), So fixier man den Gegner

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• MANISHA JOTHADY (2014), Nilbar Güres: Stoffe sind die beste Lektüre

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• MARCIA ABOS (2014), A turca Nilbar Güres vai tratar de racismo na Bienal de SP

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• MIHNEA MIRCAN (2014), Visiting the Viewpoints of Others: On the Camouflaged Portraits of Nilbar Güreş

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• NICOLE SCHEYERER (2014), Wasserpistolen gegen Klischess: die neue Otto-Mauer-Preistragerin

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• ROBERT GANDER (2014),  Die Sichtbarkeit der Frauen​​​​​

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• ALMUTH SPIEGLER (2012),  Junge Künstler wählen immer öfter Wien als Basislager – ist es das bessere Berlin?

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• CHRISTA BENZER (2012),  Städtische Rauchzeichen und andere Signale ​​

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• DENİZ İNCELİOĞLU (2012), Almanlar Türk Sanatçıları Keşfediyor

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• HERWIG G. HOLLER (2012), "Gastarbajter"-Paraden und Schleierästhetiken

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• LAUREN CORNELL (2012), Open Phone Booth

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• MATTHIAS DUSINI (2012),  Skulptur II: Denkmal für einen Pantoffelhelden 

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• NATASHA ILIC (2012), Balancing Integration​​​​​

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• ANDREAS SPIEGL (2011), Never That's When

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• INGO AREND (2011), Der Markt ist Gekommen

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• MERİH AKOĞUL (2011), Nilbar Güreş'in Fotoğrafları​​​​​​

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• SARA DOLFI AGOSTINI (2011),  Pochi italiani a Frame e Sunday

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• ALMUTH SPIEGLER (2010), Wohin geht Wiens Szene?​​​

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• AYŞEGÜL SÖNMEZ (2010), Anti-Mükemmel Anlar ve Anılar​​​

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• KOLJA REICHERT (2010) For the catalog of 6th Berlin Biennial

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• MONOPOL (2010), Berlin Biennale

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• RUTH HORAK (2010), The Fifth Floor Bride

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• SABINE B. VOGEL (2010), Reviews

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• KAREN ROSENBERG (2009), Multilayered and Multicultural, Creative Views of the Muslim Head Scarf

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• KARIN MEISEL (2009), An Interview By Karin Meisel With Nilbar Güreş After The Exhibition ‘The Seen And The Hidden; Discovering The Veil’ At The Austrian Cultural Forum, New York (May 22, 2009–August 29, 2009)

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• NICOLA HIRNER (2008), The Moment I Show My Face, I Turn Around​​​

 

• HANNE WESKOTT (2006), Kleiderwahl in Istanbul​

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